شرعنة القتل و الأجساد المنتهكة في رواية ( سبايا سنجار ) ل سليم بركات

Abstract

Thus, our adventure to interact with this literary work which portrays genocide and mass-
killing aims to reveal the internal dialogue with the dead and the dialogue which is conducted
between the narrator and the painter and that which occurs between the imaginary characters
who survived. These conversations depict the act of killing and its canon as well as the destines
of torture and sadness. The novel has its place to translate news events and the documented
catastrophes, the writer (Salim Barakat) mingled the real events with his own imagination as a
feature for creative work which took three frames:
1. Canons of murder and the violated bodies.
2. The image of sadness and the sadistic pain
3. The image of captivity and canonized hypothesis.